Australian-Swiss flautist Bridget Bolliger was born in Sydney, where she distinguished herself early, studying under Jenny Andrews, Jane Rutter and Vernon Hill and performing the Ibert Flute Concerto with the Sydney Symphony Orchestra at the age of 15. She graduated from the Sydney Conservatorium High School and was awarded the ASCM with Merit by New South Wales Conservatorium of Music.
At 18 Ms Bolliger travelled to Switzerland to study with Peter-Lukas Graf at the Basel Music Academy. For four consecutive years she was awarded the coveted Study Grant of the Migros/Ernst-Göhner Stiftung, while also winning the UBS Flute Competition in Zürich, the Kiefer Hablitzel Award in Bern and a prize at the Swiss Woodwind Competition in St Gallen. She attended masterclasses with Alain Marion, Jean-Pierre Rampal and William Bennett, and played Principal Flute with the Gustav Mahler Youth Orchestra under Claudio Abbado and Vaclav Neumann, the Schleswig Holstein Festival Orchestra under Christoph Eschenbach and the European Community Youth Chamber Orchestra under James Judd.
After graduating with the prestigious Soloist’s Diploma, Ms Bolliger was appointed Principal Flute with the St Gallen Symphony Orchestra. She also appeared as Guest Principal Flute with the Basel Symphony Orchestra, Zürich Opera Orchestra and Zürich Chamber Orchestra, under conductors such as Nello Santi, Horst Stein, Franz Welser-Möst and Rafael Frühbeck de Burgos.
Ms Bolliger spent three years in Brazil as Principal Flute of the Sinfonica de São Paulo, before returning to Australia where she has played with the Sydney Symphony Orchestra, Melbourne Symphony Orchestra, The Queensland Orchestra, Australian Chamber Orchestra and the Australian Opera and Ballet Orchestra, under conductors including Vladimir Ashkenazy and Patrick Summers.
Bridget Bolliger has appeared as concerto soloist with the St Gallen Symphony Orchestra, Basel Symphony Orchestra, Basel Radio Orchestra, Collegium Musicum Basel, Gruppo Concertistico della Svizzera Italiana (Lugano), Orquesta Sinfónica Simón Bolívar al Teatro Massimo (Palermo), Orquestra Sinfonica do Norte (Porto, Portugal) and the Sinfonica de São Paulo. She has performed the Mozart Flute and Harp Concerto with harpists Elena Zaniboni, Marielle Nordmann and Sarah O’Brien.
As a chamber musician, Ms Bolliger has appeared at the Ainey International Music Festival in Burgundy, the Curitiba International Music Festival in Brazil, the Huntington Estate Music Festival in New South Wales and the Australian Festival of Chamber Music in Queensland. She has collaborated with many distinguished Australian and British musicians, and with members of the Chicago and Montreal Symphony Orchestras.
Ms Bolliger is founder of the New Sydney Wind Quintet, which has become one of Australia’s leading chamber ensembles, releasing two CDs, commissioning a work from Ross Edwards and giving numerous world premieres.
Ms Bolliger is also founder and Artistic Director of the annual Sydney Chamber Music Festival.
As a flute teacher and chamber music coach, Bridget Bolliger has tutored and given masterclasses in Switzerland, Brazil and Australia. She has taught at the Jugend Musik Schule (Rorschach) and was assistant to Michel Debost at the Oficina de Música de Curitiba. She has taught at the Sydney Conservatorium of Music, the University of New South Wales and the Sydney Conservatorium High School, and given masterclasses for the New England Conservatorium of Music, the Sydney Flute Society and the Australian Flute Festival.
Bridget Bolliger is a Powell Artist, playing on a handmade, 14-carat gold Verne Q. Powell flute.
Once again flautist Bridget Bolliger played her way into the hearts of music-lovers. Zürcher Zeitung
Bridget Bolliger enchanted the public at the Cathedral of San Lorenzo, distinguishing herself with interpretative grace and delicious virtuosity. Rivista di Lugano
Flautist Bridget Bolliger’s graceful, virtuosic and beautifully-sounding playing was especially admirable. Berner Zeitung
Bridget Bolliger’s playing is rich with light and colour. She delivered the challenging music with warmth and fresh originality. Corriere del Ticino
Bridget Bolliger made a lasting impression with her delicate power. The Andante’s endless melody hovered over the strings like priceless crystal. Zürcher Zeitung